Presence Protocol 3.0

Intermediate implementation
Presence Protocol 3.0 operated as a transition phase of the system.
After the diagnosis of the printed gesture (1.0) and the silent insertion of physical pieces (2.0), this version explored the image as a fragmented file.

The implementation consisted of the infiltration of four pieces made using collage, placed within the BLAM Art Week circuit as unannounced presences.

The works integrate layers of visual information from printed media, painting, and manual gesture.
Image, text, and matter overlap without a clear hierarchy.

The themes that run through this version are articulated around:

Symbolic presence and its erosion, Presence

the figure of the State as an abstract entity, Beast of the State

Data as a new belief system, New 50L

and forced displacements as a contemporary condition with the piece Reverse Migration

Each piece functions as a fragment of a file, not as a closed statement.
They do not seek to explain a specific context, but to activate cultural and social resonances based on recognizable images and latent tensions.

Unlike previous versions, in 3.0 the presence is not limited to the gesture of abandonment, but is manifested in accumulation, visual noise and saturation of references.

This phase allowed us to understand that presence can also operate from excess, but that such excess requires structural containment in order not to be diluted.

Presence Protocol 3.0 functioned as a conceptual and material calibration.
A turning point between infiltration and occupation.

This learning led to the next stage of the system